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9 Master of Art Degrees in Curating 2022

A Master of Arts or MA is a graduate degree typically earned after a program of study of the fine arts, humanities, social sciences or other, similar concentrations. These programs tend to last one to two years.A curating program can teach students the skills needed to work as a museum curator. Some programs may also help students develop skills to work in online platforms creating digital display… Read more

A Master of Arts or MA is a graduate degree typically earned after a program of study of the fine arts, humanities, social sciences or other, similar concentrations. These programs tend to last one to two years.

A curating program can teach students the skills needed to work as a museum curator. Some programs may also help students develop skills to work in online platforms creating digital displays. Courses in a program may cover everything from administration to display creation.

MA Degree in Curating

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Bath, United Kingdom

The course takes a broad view of curatorial practice and the programme includes consideration of activities in the private domain of the domestic interior, and in virtual real ... +

The course takes a broad view of curatorial practice and the programme includes consideration of activities in the private domain of the domestic interior, and in virtual reality, as well as -
MA
Full-time
Part-time
English
Aug 2022
Campus
 
Tuen Mun, Hong Kong

Through studying art theories and collections, curatorial practice, art projects, entrepreneurial initiatives, and professional training, MACAH offers students multiple perspe ... +

Through studying art theories and collections, curatorial practice, art projects, entrepreneurial initiatives, and professional training, MACAH offers students multiple perspectives to explore and engage in the development of art and cultural landscapes in Hong Kong, Asia and beyond. -
MA
Full-time
Part-time
English
Sep 2022
28 Jul 2022
Campus
 
London, United Kingdom

This programme provides an unrivalled opportunity to explore methods and approaches taken to the curating of the arts of Asia and Africa. It is particularly suitable for those ... +

This programme provides an unrivalled opportunity to explore methods and approaches taken to the curating of the arts of Asia and Africa. It is particularly suitable for those who wish to develop in the arts sector or cultural industries whether that be in the context of museums, galleries, festivals, online platforms, biennales, and other display contexts. It will also appeal to practising professionals in these areas who are interested in strengthening their knowledge and critical outlook. Themes and issues addressed include but are not limited to histories and ideologies of curating and exhibitions, theories of collecting, interpreting objects, contemporary issues and debates regarding postmodernism, postcolonialism, repatriation and decolonization, curating and writing of exhibition texts and interpretation. Additionally, this programme provides an excellent postgraduate foundation for students interested in pursuing PhD research in the fields of curating and/or Art History/Archaeology of Asia and Africa in general. -
MA
Full-time
Part-time
English
26 Sep 2022
30 Jun 2022
Campus
 

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Birmingham, United Kingdom

The MA in Art History and Curating is one of the few postgraduate programmes in the country that offers you the opportunity to work in a team with academic and museum professi ... +

The MA in Art History and Curating is one of the few postgraduate programmes in the country that offers you the opportunity to work in a team with academic and museum professionals to develop a curatorial project such as a public exhibition. Current exhibition partners include the Barber Institute of Fine Arts, in a unique partnership with the Royal Collection Trust, and Grand Union, an Arts Council England Portfolio organisation, working with contemporary artists. -
MA
Full-time
Part-time
English
Sep 2022
01 Jul 2022
Campus
 
Beaconsfield, United Kingdom

A ground-breaking new MA delivered in partnership with the BFI to prepare students to build successful careers in film exhibition, programming, criticism or archival work.

A ground-breaking new MA delivered in partnership with the BFI to prepare students to build successful careers in film exhibition, programming, criticism or archival work. -
MA
Full-time
2 years
English
Campus
 
Kensington, United Kingdom

Richmond University’s MA in Visual Arts Management & Curating equips students with the entrepreneurial knowledge and professional skills required to critically engage with ... +

Richmond University’s MA in Visual Arts Management & Curating equips students with the entrepreneurial knowledge and professional skills required to critically engage with global visual cultures of the twenty-first century and become innovative, creative and resilient leaders in their fields. The program is taught in our Kensington campus in Central London where our students benefit from studying in close proximity to Kensington Palace, Royal Albert Hall, Victoria and Albert Museum, Saatchi Gallery and many more art galleries and institutions. -
MA
Full-time
English
Campus
 

MA Curating Contemporary Art is the only curatorial course to place the key issues posed by globalisation at the heart of its curriculum.

MA Curating Contemporary Art is the only curatorial course to place the key issues posed by globalisation at the heart of its curriculum. -
MA
Full-time
English
Campus
 
Bengaluru, India

Curatorial practice entails the selection and representation of cultural objects, ideas, and artifacts by organising and promoting art projects and exhibitions. At its core, t ... +

Curatorial practice entails the selection and representation of cultural objects, ideas, and artifacts by organising and promoting art projects and exhibitions. At its core, this practice is rooted in the understanding and inculcation of values associated with social and cultural history, and a sensitivity to multiple forms of spectatorship. At Srishti Manipal we consider the curatorial practice to be not only about the exhibition, selection, and display but an endeavor towards reflecting cultural practices that address contemporary social concerns. The MA in Curatorial Practice is founded on the premise that there is no separation between practice and theory in curatorial work. Curators operate across a vast ecology of contexts and spaces - from the museum to the commercial gallery, to the artist-led space, to the festival, to the lab, to new creative ventures and academic projects. The role of the curator often blends in with that of the researcher, the artist, the publisher, the activist, the archivist, and the creative entrepreneur. The program foregrounds an inquiry-based approach to learning, where students can explore and develop personal discourse, artistic visions, and ideas through their chosen lines of inquiry, navigating through frames of thought nurtured at Srishti Manipal. The students of the MA in Curatorial Practice will acquire the criticality, skills, and flexibility to work in the ever-changing context of the contemporary art world and cultural production. They will develop an awareness and understanding of international and national socio-cultural and political discourses in the field. -
MA
English (UK)
Campus
 

MA in Sculpture Sculpture is a spatial art, intensely practical, yet essentially philosophical. It has always been closely associated with architecture and public space, with ... +

MA in Sculpture Sculpture is a spatial art, intensely practical, yet essentially philosophical. It has always been closely associated with architecture and public space, with ritual and the ceremonial. It is a private art that is often over-publicised. Sculpture at the RCA has been a longstanding programme, and one component of the Fine Art faculty. However our staff and students understand that there is a wider fine art intelligence that falls outside the faculty structure. The debates around painting, often via drawing, and the raw side of printing are closely associated in the minds of good students. The arts of photography, filmmaking, sound and performance, if not quite as much as dance, theatre, the sciences, engineering and urbanism, are habitual reference points. In the same vein, the sense of London as a destination, the physical circumstances of the Sculpture site, its unusual proximities, the perceptions of the programme’s culture, and the imprimatur of the institution, all are the evident triggers for our RCA applicants. Students, staff and visitors join a mix that is set against these variables, and against the economic contingencies at play. The crafts and trades most readily associated with the production side of sculpture usually enjoy prominence in other disciplines and professions. But historically, sculpture has perfected the knack of purloining the material to hand and extending the performance of different media away from their conventional processes. The drift away from handwork and handtools (where the production process is visited direct upon the material and at a much less spectacular speed) to industrial production has swelled the world of RPM-fixed machines. However, within the programme, the energy may be more concentrated directly on the work itself, on the space whenever installation (in all its senses) is involved, or – perhaps – it manifests itself as time-honoured bench work. In all these instances, the play involved in the processes of production is as much technical as it is philosophical. A successful art school is somewhere in which the students and staff and visitors thrive. There needs to be a sense of occasion: lots of gathering and witnessing, and concentrated debate about the academic endeavour and content of RCA Fine Art enterprises. Presence must be understood in a sophisticated and variegated way, not as a simplistic physical opposite of absence. Limitations are not the same as confines, and a sense of inventing protocols and new forms is a great collective vehicle. A climate of enabling needs to prevail where the force of expectation is centred on content and proximity, not on procedure. To the prospective student, the pace of the 18 months of a postgraduate course must be seen as a sophisticated transaction in time- and space-management. The culture of an art school is legible the moment you enter the door. It needs tending and managing on a daily basis, by all players, without exception. The programme offers: associations with a broad constituency of artists, architects, designers and thinkers across the RCA an expectation that the wider discourse this community represents should be a dynamic foil to the work and development of all aspiring RCA Sculpture graduates engagement with the debate over the historical means of production and the material (and dematerialised) processes across different cultures (This is a moment when 50 million Chinese people are joining the world's labour force every year.) dedicated studio space for each student college-wide workshop facilities, including the RCA's celebrated foundry housed in the Sculpture building, and recognition that some of the profoundest contradictions of our time can be confronted in the debate that these very opportunities generate a precedent of graduates in the later twentieth century including John Panting, Hamish Fulton, Alison Wilding, Boyd Webb, Tony Cragg, Richard Wentworth and Drhuva Mistry, and more recently Jake Chapman and Alice Channer. -
MA
Full-time
English
Campus